| Interlude | Christoph Berg | 60 | 120 ½ | G minor | 2012 |
| New Beginning (Tidal Darkness) | Deaf Center | 60 | 120 ½ | G minor | 2011 |
| The Snow Prelude no. 3 | Jeroen van Veen | 60 | 120 ½ | C major | 2013 |
| Cello | Scala & Kolacny Brothers | 60 | 120 ½ | A# major | 2015 |
| In Your System | Bleep | 60 | 120 ½ | A minor | 1989 |
| Le dame, i cavalieri | Rondò Veneziano | 60 | 120 ½ | D minor | 1990 |
| Lowlands | Taylor Deupree & Marcus Fischer | 60 | 120 ½ | D major | 2017 |
| Montego (TVS mix) | Razoof | 60 | 120 ½ | A# minor | 2003 |
| The Fourth Collection: pattern XVI | Mamoru Fujieda | 60 | 120 ½ | C# minor | 1997 |
| Nidra in the Sky With Ayler | Jesse Gallagher | 60 | 120 ½ | G major | 2019 |
| Conversation With Myself | Fabrizio Paterlini | 60 | 120 ½ | F# major | 2014 |
| L’origine nascosta | Jeroen van Veen | 60 | 120 ½ | F major | 2013 |
| Interlude | Susanne Sundfør | 60 | 120 ½ | B minor | 2008 |
| Room 379 | Venetian Snares | 60 | 120 ½ | B minor | 2007 |
| Requiem: VII. Lux Aeterna | Rosa Mannion, Polyphony, Bournemouth Sinfonietta, Stephen Layton | 60 | 120 ½ | G major | 1997 |
| Helicoid | Arovane & Porya Hatami | 60 | 120 ½ | A# major | 2019 |
| Pandora's Box | John Zorn | 60 | 120 ½ | G# minor | 2014 |
| Death | David Peacock & Disasterpeace | 60 | 120 ½ | C minor | 2017 |
| Prozessordenken | Jonson | 60 | 121 ½ | F# major | 2005 |
| Marked for Life | Huerco S. | 60 | 121 ½ | G# major | 2016 |
| Canto Ostinato: Section 59 | Polo de Haas, Kees Wieringa | 60 | 60 | G# minor | 1996 |
| Pieces -MATERIAL- <postlude> | Tatsh | 61 | 122 ½ | F# major | 2011 |
| Crepuscolo | Rondò Veneziano | 61 | 122 ½ | G major | 1990 |
| I sestieri | Rondò Veneziano | 61 | 122 ½ | G major | 1990 |
| Come With Me | Frameworks | 61 | 122 ½ | A# major | 2017 |
| My Crutch | Venetian Snares | 61 | 122 ½ | A minor | 2007 |
| Valse Triste | Simfonični orkester RTV Slovenija, Andrew Schenck | 61 | 122 ½ | G major | 1989 |
| ...pas à pas - nulle part..., op. 36: Berceuse | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 61 | 122 ½ | A minor | 2003 |
| Auf uns | Scala & Kolacny Brothers | 61 | 122 ½ | G# major | 2015 |
| Delusion of the Fury: Act II — On an African Theme: The Quiet Hobo Meal | Ensemble of Unique Instruments, Danlee Mitchell | 61 | 123 ½ | E minor | 1971 |
| Inizio | Jeroen van Veen | 61 | 123 ½ | A minor | 2013 |
| Music for Marcel Duchamp (1947) | Steffen Schleiermacher | 61 | 123 ½ | D minor | 1997 |
| Opening | Philip Glass | 61 | 123 ½ | D# major | 1995 |
| The Sixth Collection: pattern XXIII | Mamoru Fujieda | 61 | 123 ½ | C# major | 1997 |
| Find Me at the End of This Life | Owsey | 61 | 123 ½ | G# major | 2021 |
| Aventures | Jane Manning, William Pearson, Mary Thomas, Ensemble intercontemporain, Pierre Boulez | 61 | 123 ½ | A# minor | 1983 |
| Metamorphosis Four | Bruce Brubaker | 61 | 123 ½ | C minor | 2000 |
| The Protecting Veil: The Nativity of the Mother of God | France Springuel, I Fiamminghi, Rudolf Werthen | 61 | 123 ½ | A major | 1998 |
| Blessed Is the Burning Room | Controlled Bleeding | 61 | 123 ½ | A# major | 1992 |
| Consciousness III | Heavenly Music Corporation | 61 | 123 ½ | F minor | 1994 |
| Cadeau | Stephan Moccio | 61 | 123 ½ | C major | 2006 |
| Divenire | La Pietà, Angèle Dubeau | 61 | 123 ½ | C major | 2015 |
| Loneliest Road in America (US 50) | Jesse Gallagher | 61 | 123 ½ | A major | 2019 |
| The Fourth Collection: pattern XV | Mamoru Fujieda | 62 | 123 ½ | B major | 1997 |
| ...pas à pas - nulle part..., op. 36: Fous... | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 62 | 123 ½ | F minor | 2003 |
| Fuori dal mondo | La Pietà, Angèle Dubeau | 62 | 123 ½ | C major | 2015 |
| All Was Quiet | Alaskan Tapes | 62 | 123 ½ | C# major | 2018 |
| Recital | Eluvium | 62 | 123 ½ | D major | 2019 |
| Kamui-Chikap Symphony (Symphony no. 1), op. 40: V. Rainbow. Moderato | BBC Philharmonic, Sachio Fujioka | 62 | 123 ½ | A# major | 2000 |
| Nature | David Peacock & Disasterpeace | 62 | 123 ½ | F# major | 2017 |
| Sleepwalk | Tennyson | 62 | 123 ½ | G minor | 2019 |
| Boel | Mark Feldman & Sylvie Courvoisier | 62 | 123 ½ | F minor | 2006 |
| Cendres | NYYD Ensemble, Olari Elts | 62 | 123 ½ | E minor | 2008 |
| Concierto de Aranjuez: II. Adagio | Juan Carlos Laguna Millan, Orquesta Sinfónica Carlos Chávez, Fernando Lozano | 62 | 123 ½ | E major | — |
| Lauda 36 "Gloria in cielo" | Gavin Bryars Ensemble | 62 | 123 ½ | A minor | 2009 |
| The Snow Prelude no. 15 | Jeroen van Veen | 62 | 123 ½ | B major | 2013 |
| Naxos Quartet no. 2: IV. Lento flessibile | Maggini Quartet | 62 | 123 ½ | A# major | 2004 |
| Orphée Suite: VI. Orphée's Return | Paul Barnes | 62 | 123 ½ | F major | 2003 |
| Falling Back Into You | Owsey | 62 | 123 ½ | A# major | 2021 |
| Sonata no. 14 in C-sharp minor, op. 27, no. 2 "Moonlight": I. Adagio sostenuto | Philippe Entremont | 62 | 124 ½ | C# minor | 1999 |
| Rose | Jeroen van Veen | 62 | 124 ½ | E major | 2013 |
| The Planets | Jeroen van Veen | 62 | 124 ½ | G major | 2013 |
| Mistakes (Half Tempo mix) | Stamp | 62 | 124 ½ | F# minor | 2009 |
| Harmonielehre: I. [Untitled.] Slow (new tempo) - Suddenly very slow - | Royal Scottish National Orchestra, Peter Oundjian | 62 | 124 ½ | G minor | 2013 |
| Neville Park | Stephan Moccio | 62 | 124 ½ | C# minor | 2006 |
| Metamorphosis 4 | Murcof, Vanessa Wagner | 62 | 124 ½ | C minor | 2017 |
| Delusion of the Fury: Act I — On a Japanese Theme: Cry From Another Darkness | Ensemble of Unique Instruments, Danlee Mitchell | 62 | 124 ½ | A# minor | 1971 |
| Serum X | M-Sphere | 62 | 125 ½ | C major | 1999 |
| Sweet Lover | Justin Nozuka | 62 | 125 ½ | C# major | 2014 |
| Der Mond, der Schnee und Du | Bersarin Quartett | 62 | 125 ½ | C minor | 2012 |
| Nightbook | Jeroen van Veen | 62 | 125 ½ | F# minor | 2013 |
| Necrodelica | Aural Planet | 62 | 125 ½ | A# major | 2002 |
| Letters from the future | Roger Subirana Mata | 63 | 125 ½ | C major | 2021 |
| The Secret Place | Brian Eno | 63 | 125 ½ | D# major | 1983 |
| Lily (Raw version) | nvrmore | 63 | 125 ½ | E major | 2019 |
| Clearly | Roger Eno & Scoring Berlin | 63 | 125 ½ | D# major | 2022 |
| Mary, on the Wall | Grouper | 63 | 125 ½ | C major | 2011 |
| From Fire, Ice | Celer + Forest Management | 63 | 126 ½ | D minor | 2018 |
| Patterns Emerging | Mat Zo | 63 | 126 ½ | F major | 2016 |
| Lauda 37 "Ciascun ke fede sente" | Gavin Bryars Ensemble | 63 | 126 ½ | D minor | 2009 |
| A Place We Once Walked | Roger Eno & Scoring Berlin | 63 | 126 ½ | D# major | 2022 |
| Soliloquy & Aside | Eluvium | 63 | 126 ½ | B minor | 2019 |
| The Loneliest Wilderness | Steven Isserlis, Tapiola Sinfonietta, Gábor Takács‐Nagy | 63 | 126 ½ | G minor | 2011 |
| ¿Dónde Está? | Luys Bien | 63 | 126 ½ | C# minor | 2020 |
| Nepenthe | Eluvium | 63 | 126 ½ | D major | 2019 |
| Seven Scenes from Labyrinthos: Birth of the Bull | Paul Giger | 63 | 126 ½ | D major | 1993 |
| D'ombres et de lumières | Rondò Veneziano | 63 | 126 ½ | D major | 1990 |
| L'Oiseau de feu (Suite): Ronde des princesses | The Cleveland Orchestra, George Szell | 63 | 126 ½ | B major | 1991 |
| Memories | Emmit Fenn | 63 | 126 ½ | D# major | 2017 |
| Der Abschied | Kronos Quartet | 63 | 126 ½ | C major | 2012 |
| Discovery at Night | Jeroen van Veen | 63 | 126 ½ | D# major | 2013 |
| Nefeli | Jeroen van Veen | 63 | 126 ½ | A minor | 2013 |
| Pretending | SOPHIE | 63 | 126 ½ | D minor | 2018 |
| Dukes | Stephan Moccio | 63 | 126 ½ | C# major | 2006 |
| Dilo 10 | Emika | 63 | 126 ½ | C minor | 2015 |
| Little Windows | Keiko Abe | 63 | 126 ½ | C major | 1990 |
| Metamorphosis Five | Bruce Brubaker | 63 | 126 ½ | E minor | 2000 |
| Millenium | William Orbit | 63 | 126 ½ | E minor | 1990 |
| Songs, Drones & Refrains of Death: Death-Drone III | Ensemble New Art, Fuat Kent | 63 | 126 ½ | G major | 2006 |
| Fascinans | Hammock | 63 | 126 ½ | B major | 2019 |
| Overture (Dylan Phillips cover) | Apashe | 63 | 126 ½ | A# minor | 2021 |
| Peace | Celestial Trax | 63 | 126 ½ | D# major | 2019 |
| Crossing the Stone | Catrin Finch, The City of Prague Philharmonic Orchestra, Karl Jenkins | 63 | 126 ½ | F minor | 2003 |
| Caroling | Eluvium | 63 | 126 ½ | C major | 2019 |
| Gumache | Dillon | 63 | 126 ½ | G# major | 2011 |
| Escapaste por el ventanal abierto | Bosques de mi Mente | 63 | 126 ½ | F# minor | 2010 |
| Pampamapa | Kim Kashkashian, Robert Levin | 63 | 127 ½ | C# minor | 2007 |
| Under Stars II | Brian Eno | 63 | 127 ½ | F# minor | 1983 |
| Eight Summaries: No. 3. Giocoso | Elena Papandreou | 63 | 127 ½ | E major | 1998 |
| String Quartet no. 3 in F major, op. 73: II. Moderato con moto | Borodin Quartet | 63 | 127 ½ | E major | 1994 |
| Overture | Steps | 63 | 127 ½ | D major | 2002 |
| Canto Ostinato: Section 21 | Polo de Haas, Kees Wieringa | 64 | 64 | D# minor | 1996 |
| Canto Ostinato: Section 45 | Polo de Haas, Kees Wieringa | 64 | 64 | G# minor | 1996 |
| Seconds | UnMasked | 64 | 128 ½ | E major | 2015 |
| Initialize the Phantasm | Morgin Madison | 64 | 64 | A major | 2021 |
| Blue | Stephan Moccio | 64 | 128 ½ | B major | 2010 |
| ...pas à pas - nulle part..., op. 36: ...une découverte bouleversante | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 64 | 128 ½ | A minor | 2003 |
| Asturiana | Kim Kashkashian, Robert Levin | 64 | 129 ½ | F minor | 2007 |
| Folk Dance Suite: Tsifteteli | Elena Papandreou | 64 | 129 ½ | G minor | 1998 |
| Napels vluchtplan | Kettel | 64 | 129 ½ | D minor | 2003 |
| Gymnopédie no. 1 | John Hackett & Steve Hackett | 64 | 64 | D major | 2000 |
| Deuxième sonate pour piano: IV. Vif | Claude Helffer | 64 | 129 ½ | E major | 1981 |
| Hathor Hymnal | Jesse Gallagher | 64 | 129 ½ | A# major | 2019 |
| Quiet Children | Eluvium | 64 | 129 ½ | C major | 2019 |
| Redemption | Savant | 64 | 129 ½ | A# minor | 2012 |
| Deranged Again (Improvisation) | Robert Haigh | 64 | 129 ½ | E minor | 2009 |
| Butterfly | Daigo Hanada | 64 | 129 ½ | C minor | 2017 |
| Hue | Daigo Hanada | 64 | 129 ½ | B minor | 2017 |
| Six Pianos | Steve Reich | 64 | 129 ½ | A major | 2010 |
| King Gesar: The Song of Manene | Omar Ebrahim, Yo‐Yo Ma, Emanuel Ax, Peter Serkin, David Taylor, Stefan Huge, András Adorján, Deborah Marshall, William Purvis, Peter Lieberson | 65 | 129 ½ | A minor | 1996 |
| Messe: Kyrie: III. Contrapunctus I | Deutsche Radio Philharmonie, Christoph Poppen | 65 | 129 ½ | A major | 2011 |
| Quest: Refrain 1 | Ensemble New Art, Fuat Kent | 65 | 129 ½ | E major | 2006 |
| Souvenir: III. | Tapiola Sinfonietta, Magnus Lindberg | 65 | 129 ½ | C major | 2013 |
| Arpana to Jaya Lakshmi Amma | Chris Hinze | 65 | 129 ½ | G minor | 1997 |
| Breathe This Air (Asleep version) | Jon Hopkins feat. Megan James | 65 | 129 ½ | A# minor | 2014 |
| Of Falling | Alaskan Tapes | 65 | 129 ½ | F# major | 2021 |
| Hekton | Nicholas Rimmer, Tianwa Yang | 65 | 129 ½ | A major | 2012 |
| Maykomashmalon | Vladimír Godár | 65 | 129 ½ | G# minor | 2006 |
| The Last Transmission | Mat Zo | 65 | 129 ½ | G# minor | 2016 |
| Yâ Habîba L-Qalbi (Ô aimé de mon cœur) | Bruno Coulais | 65 | 129 ½ | G# minor | 2005 |
| Little Luminaries | Channel Light Vessel | 65 | 129 ½ | D minor | 1994 |
| An American in Paris | George Gershwin | 65 | 129 ½ | F major | — |
| Fast Forward | Arthur Jarvinen, Amy Knoles | 65 | 129 ½ | G major | 1993 |
| The Harbinger | Jessica Pavone | 65 | 129 ½ | F major | 2009 |
| Afraid to Forget | Hammock | 65 | 129 ½ | C major | 2019 |
| Another Open Minor 2 | Robert Haigh | 65 | 130 ½ | D major | 1989 |
| Sonatas and Interludes: Sonata 9 | Mario Bertoncini | 65 | 130 ½ | F# minor | 2001 |
| Stálá Matka | Vladimír Godár | 65 | 130 ½ | A minor | 2006 |
| Quasi una fantasia: String Quartet no. 2, op. 64: II. Deciso—energico; marcatissimo sempre | Royal String Quartet | 65 | 130 ½ | G minor | 2011 |
| Smash Them Granny | Balanescu Quartet | 65 | 130 ½ | E minor | 2011 |
| Streaming Arhythmia | The Caput Ensemble, Snorri Sigfús Birgisson | 65 | 130 ½ | E minor | 2011 |
| Suicide Dream 3 (orchestral version) | How to Dress Well | 65 | 130 ½ | C major | 2011 |
| On the Waterfront | Bournemouth Symphony Orchestra, Marin Alsop | 65 | 130 ½ | F major | 2003 |
| Primavera | Jeroen van Veen | 65 | 130 ½ | C minor | 2013 |
| Masquerade | Eluvium | 65 | 130 ½ | C major | 2019 |
| Oh, My Sweet Springtime | Irene Papas & Vangelis | 65 | 130 ½ | G major | 1986 |
| Under Stars | Brian Eno | 65 | 130 ½ | C# minor | 1983 |
| Pictures From Far East | Green Elements | 65 | 130 ½ | F major | 2016 |
| Drifter | Alaskan Tapes | 65 | 65 | E minor | 2018 |
| Abrupt Clarity | Dillon | 65 | 130 ½ | A# major | 2011 |
| Splénétique (Digital Only Bonus) | The Sight Below | 65 | 130 ½ | F minor | 2010 |
| In These Stones Horizons Sing: II. Agorawd [Overture], Part 2: Nawr! | Côr Caerdydd, Serendipity, West Kazakhstan Philharmonic Orchestra, Karl Jenkins | 66 | 132 ½ | F major | 2005 |
| Deuxième sonate pour piano: II. Lent | Claude Helffer | 66 | 132 ½ | G# minor | 1981 |
| El sinaloense (dance mix) | Plankton Man | 66 | 132 ½ | G major | 2002 |
| Le muse | Rondò Veneziano | 66 | 132 ½ | C major | 1990 |
| Das Buch der Klänge: Part 1 | Hans Otte | 66 | 132 ½ | C major | 1984 |
| Canto Ostinato: Section 88-K Page 47 | Polo de Haas, Kees Wieringa | 66 | 66 | D# minor | 1996 |
| Violin Concerto: I. | Pekka Kuusisto, Tapiola Sinfonietta | 66 | 132 ½ | A minor | 2013 |
| The Great Plains | Ola Gjeilo | 66 | 132 ½ | F major | 2012 |
| Unison | Meredith Monk | 66 | 132 ½ | G# minor | 1973 |
| Lo esencial es invisible a los ojos | Leandro Fresco & Rafael Anton Irisarri | 66 | 132 ½ | C# major | 2017 |
| On Branches | Taylor Deupree & Marcus Fischer | 66 | 132 ½ | C major | 2017 |
| Slowly You Dissolve | Hammock | 66 | 133 ½ | F major | 2019 |
| Vier Galgenlieder, op. 51b: III. Igel und Agel | Eesti Filharmoonia Kammerkoor, Paul Hillier | 66 | 133 ½ | F minor | 2005 |
| Introit | Roger Eno & Scoring Berlin | 66 | 133 ½ | G# major | 2022 |
| My Father Knew Charles Ives: I. Concord | BBC Symphony Orchestra, John Adams | 66 | 133 ½ | G minor | 2006 |
| Interlude I | Mannheim Steamroller | 66 | 133 ½ | D# minor | 1975 |
| Seven Scenes from Labyrinthos: Crane | Paul Giger | 66 | 133 ½ | G minor | 1993 |
| Symphony no. 9: III. Presto - Cadenza - Tempo I - Andantino - Tempo I | Christian Lindberg, Lahti Symphony Orchestra, Osmo Vänskä | 66 | 133 ½ | F minor | 1995 |
| Avernian | Kobosil | 66 | 133 ½ | F minor | 2015 |
| Find Your Peace | Geotic | 66 | 133 ½ | C# major | 2010 |
| Music for Mallet Instruments, Voices and Organ | Steve Reich | 67 | 133 ½ | G# major | 1990 |
| The Canticle of the Sun: (Fig. 144) ... "Laudate et benedicete mi Signore..." | Terry Edwards, London Voices, John Aley, John Alley, Simon Carrington, Neil Percy, Mstislav Rostropovich, Ryusuke Numajiri | 67 | 133 ½ | F# major | 2001 |
| Riding Windhorse (Buddhafields) | Heavenly Music Corporation | 67 | 133 ½ | F minor | 1994 |
| ...pas à pas - nulle part..., op. 36: Oblivion, Sweet Oblivion... | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 67 | 133 ½ | E minor | 2003 |
| Seven Scenes from Labyrinthos: Fourteen Virgins | Paul Giger | 67 | 133 ½ | D major | 1993 |
| Moving | Akira Kosemura | 67 | 133 ½ | C major | 2017 |
| And This Is How It Ends | Daigo Hanada | 67 | 133 ½ | C# minor | 2017 |
| A Love Until the End of Time | Plácido Domingo, Maureen McGovern | 67 | 135 ½ | F major | 1985 |
| Sicht | Arovane | 68 | 135 ½ | B major | 2021 |
| Ghost in the Shell | Fractal & Benza | 68 | 135 ½ | E minor | 2001 |
| Ora | Jeroen van Veen | 68 | 135 ½ | F major | 2013 |
| The Third Collection: pattern XII | Mamoru Fujieda | 68 | 135 ½ | C minor | 1997 |
| Metamorphosis: V | Jay Gottlieb | 68 | 135 ½ | C major | 1999 |
| Forgotten | David Peacock & Disasterpeace | 68 | 135 ½ | G# minor | 2017 |
| The Hat Returns / End Credits | Don Davis | 68 | 135 ½ | A# major | 2001 |
| Symphony 1997: Heaven Earth Mankind: III. Lullaby | Hong Kong Philharmonic Orchestra, Tan Dun | 68 | 136 ½ | D minor | 1997 |
| L'Oiseau de feu (Suite): L'Oiseau de feu et sa danse | The Cleveland Orchestra, George Szell | 68 | 136 ½ | F minor | 1991 |
| Moon Is Sharp | Grouper | 68 | 136 ½ | D major | 2011 |
| String Quartet: Introductory Movement | Kronos Quartet | 68 | 136 ½ | E major | 1991 |
| Zeitgehöft | John Zorn | 68 | 136 ½ | D minor | 2014 |
| Nocturnes no. 3 | John Hackett & Steve Hackett | 68 | 136 ½ | D major | 2000 |
| Dilo 5 | Emika | 68 | 136 ½ | A minor | 2015 |
| Tracce | Jeroen van Veen | 68 | 136 ½ | D# minor | 2013 |
| Yul | Stephan Moccio | 68 | 136 ½ | F major | 2010 |
| It Itself, Is Harmless | Dalhous | 68 | 136 ½ | B minor | 2016 |
| Concerto for Cello and Orchestra, no. 1 | Arto Noras, Sinfonia Varsovia, Krzysztof Penderecki | 68 | 136 ½ | C major | 2001 |
| Dietro l'incanto | Jeroen van Veen | 68 | 136 ½ | A minor | 2013 |
| Songs, Drones & Refrains of Death: Refrain One | Ensemble New Art, Fuat Kent | 68 | 136 ½ | E major | 2006 |
| Stabat mater dolorosa | Bruno Coulais | 68 | 136 ½ | D# minor | 2005 |
| The Sixth Collection: pattern XXII | Mamoru Fujieda | 68 | 136 ½ | F# minor | 1997 |
| Three Songs: Přátelé | Ib Hausmann, Josephine Knight, Philip Dukes, Christian Gerhaher | 68 | 136 ½ | E major | 2007 |
| Lamentate: VIII. Lamentabile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | 68 | 136 ½ | G# minor | 2005 |
| Harmonium: II. Because I Could Not Stop for Death | Vance George, San Francisco Symphony Chorus, San Francisco Symphony, John Adams | 68 | 136 ½ | G# major | 1999 |
| In principio | Jeroen van Veen | 68 | 137 ½ | B minor | 2013 |
| Cloud Chamber (Satori Transmission) | Heavenly Music Corporation | 68 | 137 ½ | E minor | 1994 |
| A Dream | Harry Partch | 68 | 137 ½ | D minor | 1995 |
| Una mattina | Jeroen van Veen | 68 | 137 ½ | A minor | 2013 |
| Lauda 13 "Stomme allegro" | Gavin Bryars Ensemble | 68 | 137 ½ | A minor | 2009 |
| Dilo 13 | Emika | 68 | 137 ½ | A minor | 2015 |
| Tusen Tankar | Kronos Quartet | 68 | 137 ½ | D minor | 2014 |
| Naples Vluchtplan | Kettel | 69 | 137 ½ | D# minor | 2007 |
| Weightless | Brian Eno | 69 | 69 | D# major | 1983 |
| Schwarzer Regen fällt | Bersarin Quartett | 69 | 69 | A# major | 2015 |
| What We Believe In | Jim Brickman | 69 | 138 ½ | D# major | 2010 |
| Himmel & Hoelle | Thomas P. Heckmann | 69 | 138 ½ | A# minor | 2006 |
| The Fourth Collection: pattern XIV | Mamoru Fujieda | 69 | 139 ½ | A major | 1997 |
| L'océan | Richard Clayderman | 70 | 139 ½ | D major | 1992 |
| Dexterous Bushwa | Olan Mill | 70 | 139 ½ | F# major | 2015 |
| Paschal | Mark Feldman & Sylvie Courvoisier | 70 | 139 ½ | C minor | 2006 |
| Entends-tu les chiens aboyer ?, Part 2 | Vangelis | 70 | 139 ½ | C# minor | 1977 |
| Adir Hu | Jewlia Eisenberg | 70 | 139 ½ | G minor | 2002 |
| Sandpaper Ballet | Saint Louis Symphony Orchestra, Leonard Slatkin | 70 | 139 ½ | C major | 1995 |
| Angel Guides | Jesse Gallagher | 70 | 139 ½ | C major | 2020 |
| Nocturnes no. 5 | John Hackett & Steve Hackett | 70 | 139 ½ | F major | 2000 |
| Primavera | Craig Ogden | 70 | 139 ½ | C minor | 2009 |
| Harmonielehre: II. The Anfortas Wound Very slow - New tempo - Floating - | Royal Scottish National Orchestra, Peter Oundjian | 70 | 140 ½ | F major | 2013 |
| Gymnopédie no. 2 | John Hackett & Steve Hackett | 70 | 70 | F major | 2000 |
| Ist es das, was Du willst | Bersarin Quartett | 70 | 70 | F minor | 2015 |
| ...pas à pas - nulle part..., op. 36: Mouvement | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 70 | 140 ½ | A# major | 2003 |
| Charlie’s Park | Alvin Curran | 70 | 140 ½ | F major | 1998 |
| Concerto Grosso no. 1 | Soloists Ensemble of the Moscow State Philharmonic, Юрий Абрамович Башмет, Татьяна Гринденко, Gidon Kremer | 70 | 140 ½ | E minor | 1990 |
| Liivlaste pärandus: V. Laulis isa, laulis poega | Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | 70 | 140 ½ | A major | 1992 |
| Queen of Demons | Gareth Farr | 70 | 140 ½ | D# major | 1997 |
| Thermal Efficiency of Power Stations | Si Begg | 70 | 140 ½ | F minor | 2017 |
| Avant dernières pensées (Méditation à Albert Roussel) | John Hackett & Steve Hackett | 70 | 140 ½ | E minor | 2000 |
| Hope (The Kindness of Strangers) | Roger Eno, Scoring Berlin & Christian Badzura | 70 | 140 ½ | E major | 2022 |
| Five Kurpian Songs, op. 75: I. Hej, z góry, z góry! | Eesti Filharmoonia Kammerkoor, Paul Hillier | 70 | 140 ½ | G major | 2005 |
| In the Springtime on the South Side of the Yangtze Kiang | Harry Partch | 70 | 140 ½ | E minor | 1995 |
| Trilogy Sonata: III. Dance from Act II Scene III of Akhnaten | Paul Barnes | 70 | 140 ½ | A minor | 2003 |
| De anima | Jean-Philippe Goude | 70 | 140 ½ | B minor | 1992 |
| The Dorian Horizon | Tokyo Metropolitan Symphony Orchestra, Yuzo Toyama | 70 | 140 ½ | G# major | 1998 |
| Ärkamine | Eesti Filharmoonia Kammerkoor, Sinfonietta Rīga, Daniel Reuss | 70 | 140 ½ | F minor | 2011 |
| Gnossienne no. 2 | John Hackett & Steve Hackett | 70 | 140 ½ | A minor | 2000 |
| Holló Utca 2 | Venetian Snares | 70 | 140 ½ | G# minor | 2007 |
| Nocturnes no. 2 | John Hackett & Steve Hackett | 70 | 140 ½ | D major | 2000 |
| Entre la niebla | Leandro Fresco & Rafael Anton Irisarri | 70 | 140 ½ | D# major | 2017 |
| Stealing Through | Manual | 70 | 140 ½ | A major | 2003 |
| Première sonate pour piano: I. Lent | Claude Helffer | 70 | 140 ½ | A minor | 1981 |
| Un Piccolo Sonatina: No. 1. Allegretto | Michael Hasel | 70 | 140 ½ | A minor | 2011 |
| Canto Ostinato: Section 83 | Gerard Bouwhuis, Gene Carl, Arielle Vernède, Cees van Zeeland | 70 | 70 | D# minor | 1988 |
| Above the Clouds | Synkro | 70 | 140 ½ | F major | 2015 |
| Te Papa | Gareth Farr | 70 | 140 ½ | F minor | 2005 |
| Tribute to Caesar | The Pro Arte Singers, Paul Hillier | 70 | 140 ½ | E major | 2000 |
| A Cloudless Distance | SubtractiveLAD | 70 | 140 ½ | E major | 2009 |
| Manhunt | Roy Budd | 70 | 140 ½ | D major | 1998 |
| Danny Boy | Kronos Quartet | 70 | 70 | G major | 2014 |
| Melancholia VIII | William Basinski | 70 | 141 ½ | A minor | 2003 |
| ...pas à pas - nulle part..., op. 36: Sleep ... | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 70 | 141 ½ | C# minor | 2003 |
| Gypsy Blues | Zeb | 71 | 142 ½ | D minor | 2002 |
| Rot 2 | Gregor Schwellenbach | 71 | 142 ½ | C minor | 2018 |
| Beyond the Moon for Someone in Reverse | Eluvium | 71 | 142 ½ | A# major | 2016 |
| The Dead Man: Nocturne | John Zorn | 71 | 143 ½ | A minor | 2000 |
| Hajimari no Uta | Ujico* | 71 | 143 ½ | G major | 2014 |
| Melancholia IX | William Basinski | 71 | 143 ½ | D# major | 2003 |
| Melancholia II | William Basinski | 71 | 143 ½ | D minor | 2003 |
| Troisième Sonate pour piano: Formant 2, Trope: Parenthèse | Paavali Jumppanen | 71 | 143 ½ | A major | 2005 |
| Troisième Sonate pour piano: Formant 3, Constellation - Miroir: Blocs II | Paavali Jumppanen | 71 | 143 ½ | A minor | 2005 |
| Zwei Slawische Psalmen: Psalm 131 | Eesti Filharmoonia Kammerkoor, Paul Hillier | 71 | 143 ½ | D# minor | 2006 |
| Melancholia V | William Basinski | 71 | 143 ½ | C# minor | 2003 |
| Melancholia XI | William Basinski | 71 | 143 ½ | C major | 2003 |
| Final | Jean-Philippe Goude | 71 | 143 ½ | D minor | 1992 |
| Melancholia VII | William Basinski | 72 | 143 ½ | D# major | 2003 |
| Ode to Birds and Rainbow, op. 60: Tapestry I. Allegro - | BBC Philharmonic, Sachio Fujioka | 72 | 143 ½ | D minor | 2000 |
| Lovers of the Highlands | Dalhous | 72 | 143 ½ | F major | 2014 |
| Pacifica, Part Two | Fred Frith | 72 | 143 ½ | C# major | 1998 |
| Carrier 32 | Eluvium | 72 | 143 ½ | G major | 2019 |
| Messa da Requiem: I. Requiem | London Symphony Orchestra, Richard Hickox | 72 | 143 ½ | A minor | 1996 |
| Improvisation is Magic | PhillyPu | 72 | 143 ½ | C major | 2012 |
| Kae | Fennesz | 72 | 143 ½ | E minor | 2012 |
| Heaven and Paradise | Don Julian & The Meadowlarks | 72 | 72 | G# major | 1959 |
| Conquest of the War Demons: VII. The Underworld Arising | Kronos Quartet | 72 | 144 ½ | D major | 1989 |
| Liivlaste pärandus: I. Lindude äratamine | Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | 72 | 144 ½ | G minor | 1992 |
| No Serenade | Cindytalk | 72 | 144 ½ | C major | 1988 |
| Satya Yuga | Jesse Gallagher | 72 | 144 ½ | D# major | 2020 |
| Eight Summaries: No. 7. Larghetto | Elena Papandreou | 72 | 144 ½ | B minor | 1998 |
| Im Lichte des Anderen | Bersarin Quartett | 72 | 144 ½ | F minor | 2012 |
| Was mit den Tränen geschieht: No. 1. Lento giusto | Michael Hasel, Marion Reinhard, Stephen Hough | 72 | 144 ½ | C# minor | 2011 |
| Music for Piano | Franghiz Ali-Zadeh | 72 | 144 ½ | F# minor | 2005 |
| Pavane pour une infante défunte | Marcelle Meyer | 72 | 144 ½ | G major | 2007 |
| Birdie | Channel Light Vessel | 72 | 144 ½ | D minor | 1996 |
| In An Unexpected Heaven | Proem | 72 | 144 ½ | G minor | 2021 |
| ORPHANS OF KRYPTON | Trent Reznor & Atticus Ross | 72 | 144 ½ | A minor | 2019 |
| In the Deepest Darkness | Gisburg | 72 | 144 ½ | G major | 1998 |
| One Less Bell to Answer | Rumer | 72 | 72 | C# major | 2016 |
| In Earlier Times | Gisburg | 72 | 144 ½ | B major | 1998 |
| A Glimpse | Rafael Anton Irisarri | 72 | 144 ½ | C# major | 2007 |
| Slow Motion | Roger Eno & Scoring Berlin | 72 | 144 ½ | F major | 2022 |
| Ride Through (acoustic) | Karma Fields feat. shey baba | 72 | 144 ½ | A# major | 2019 |
| Raphael | Copenhagen Phil – hele Sjællands Symfoniorkester, André de Ridder | 72 | 144 ½ | B major | 2014 |
| MÜLLER TIME | Trent Reznor & Atticus Ross | 72 | 145 ½ | C minor | 2019 |
| Troisième Sonate pour piano: Formant 3, Constellation - Miroir: Points 2 | Paavali Jumppanen | 72 | 145 ½ | A minor | 2005 |
| Silver Morning | Brian Eno | 72 | 145 ½ | D major | 1983 |
| Sri Alap Astalaksmi Stuti, Part 1: Mantra) | Chris Hinze | 73 | 146 ½ | F# minor | 1997 |
| Resurection City | Lunatic Calm | 73 | 146 ½ | A# major | 2002 |
| Stuttering | Jazmine Sullivan | 73 | 73 | F major | 2010 |
| Sri Alap Astalaksmi Stuti, Part 2: Mantra) | Chris Hinze | 73 | 146 ½ | C# major | 1997 |
| December 27th, Recurring | Arovane & Mike Lazarev | 73 | 73 | C# major | 2019 |
| Signs, Games and Messages: Virág az ember, Mijakónak | Ken Hakii, Hiromi Kikuchi, Stefan Metz | 73 | 146 ½ | F minor | 2003 |
| Ljósið | Ólafur Arnalds | 73 | 147 ½ | F major | 2009 |
| Midsummer Tiny Song | Fabrizio Paterlini | 73 | 147 ½ | C# major | 2014 |
| String Quartet no. 1: Part 2 | The Smith Quartet | 73 | 147 ½ | B major | 2008 |
| String Quartet no. 5: IV | The Smith Quartet | 73 | 147 ½ | G minor | 2008 |
| Invention 1 (Improvisation) | Robert Haigh | 74 | 147 ½ | A minor | 2009 |
| Soleil | Stephan Moccio | 74 | 147 ½ | C# major | 2010 |
| The Fourth Collection: pattern XIII | Mamoru Fujieda | 74 | 147 ½ | C# minor | 1997 |
| Results | Dalhous | 74 | 147 ½ | F major | 2016 |
| String Quartet no. 4 "Buczak": III | The Smith Quartet | 74 | 147 ½ | D minor | 2008 |
| I’ll Have Come and Gone With You | Geotic | 74 | 147 ½ | D major | 2010 |
| Silhouette | Daigo Hanada | 74 | 147 ½ | C minor | 2017 |
| Three Dance Episodes from "On the Town": II. Lonely Town: Pas de Deux | Bournemouth Symphony Orchestra, Marin Alsop | 74 | 148 ½ | G major | 2003 |
| Litany to Thunder | Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | 74 | 148 ½ | F# major | 1999 |
| Time Spent | Deaf Center | 74 | 148 ½ | E minor | 2011 |
| ...songs are sung: String Quartet no. 3, op. 67: Largo - tranquillo | Royal String Quartet | 74 | 148 ½ | D# minor | 2011 |
| Meditatio | Eesti Filharmoonia Kammerkoor, Paul Hillier, Raschèr Saxophone Quartet | 74 | 148 ½ | G major | 2005 |
| Prologue | David Peacock & Disasterpeace | 74 | 148 ½ | G major | 2017 |
| Space Variations | Eluvium | 74 | 74 | G# major | 2016 |
| Retenir | Brian McBride | 74 | 148 ½ | E minor | 2005 |
| Stars | Brian Eno | 74 | 148 ½ | A minor | 1983 |
| Leo | Ludovico Einaudi | 74 | 148 ½ | F major | 2004 |
| Asturiana | Jamie Walton, Daniel Grimwood | 74 | 148 ½ | F minor | 2005 |
| Canto Ostinato: Section 87 | Polo de Haas, Kees Wieringa | 74 | 148 ½ | G# minor | 1996 |
| Five Études in Different Intervals, op. 68: No. 1. Étude in minor seconds. Allegro | Marc‐André Hamelin | 74 | 148 ½ | G major | 2004 |
| Vretil | Mark Feldman & Sylvie Courvoisier | 74 | 148 ½ | C# major | 2006 |
| Yâ Man (Ô celui)—Invocation | Bruno Coulais | 74 | 148 ½ | A major | 2005 |
| Silver Square | Green Elements | 75 | 150 ½ | G major | 2016 |
| Skies Minus | Helios | 75 | 150 ½ | F major | 2015 |
| Canto Ostinato: Section 79 | Polo de Haas, Kees Wieringa | 75 | 150 ½ | A# minor | 1996 |
| Snowy Sky | Akira Kosemura | 75 | 150 ½ | D minor | 2017 |
| Canto Ostinato: Section 82 | Polo de Haas, Kees Wieringa | 75 | 150 ½ | A# minor | 1996 |
| Somehow Familiar | Fabrizio Paterlini | 75 | 150 ½ | F major | 2014 |
| Canto Ostinato: Section 12 | Polo de Haas, Kees Wieringa | 75 | 151 ½ | G# major | 1996 |
| Below the Surface | Midnight Lamp | 75 | 151 ½ | D# minor | 2017 |
| Première sonate pour piano: II. Assez large, Rapide | Claude Helffer | 76 | 151 ½ | G# minor | 1981 |
| Canto Ostinato: Section 8 | Polo de Haas, Kees Wieringa | 76 | 152 ½ | F# major | 1996 |
| The Gospel According to the Other Mary: Act I, Scene III. Lazarus Dies | Los Angeles Philharmonic, Gustavo Dudamel | 76 | 152 ½ | F major | 2014 |
| Polygon Medpack 2.0 | Oval | 76 | 152 ½ | F major | 1998 |
| Symphony no. 11 for Six Percussionists and Orchestra: III. Tranquillo | Kroumata, Sinfonia Lahti, Osmo Vänskä | 76 | 152 ½ | G major | 2004 |
| Colorless | Venetian Snares | 76 | 152 ½ | C minor | 2007 |
| King Gesar: The Horse Race | Omar Ebrahim, Yo‐Yo Ma, Emanuel Ax, Peter Serkin, David Taylor, Stefan Huge, András Adorján, Deborah Marshall, William Purvis, Peter Lieberson | 76 | 152 ½ | A major | 1996 |
| Underwood | Jeroen van Veen | 76 | 152 ½ | A major | 2013 |
| Standing Stones (Found Objects) | Robert Haigh | 76 | 152 ½ | B minor | 2009 |
| The Earth Prelude | Jeroen van Veen | 76 | 152 ½ | C major | 2013 |
| She Loves Me That Way | Grouper | 76 | 152 ½ | G minor | 2011 |
| That the Night Come: That the Night Come | Dawn Upshaw, Crash Ensemble, Alan Pierson | 76 | 152 ½ | A# minor | 2011 |
| Nocturnes no. 1 | John Hackett & Steve Hackett | 76 | 152 ½ | D major | 2000 |
| Deuxième sonate pour piano: I. Extrêmement rapide | Claude Helffer | 76 | 152 ½ | G major | 1981 |
| Broken | Fabrizio Paterlini | 76 | 152 ½ | B major | 2014 |
| Crypt I + II | Paul Giger | 76 | 152 ½ | A major | 1989 |
| Still Cloudy | Steve Hauschildt | 76 | 152 ½ | E major | 2013 |
| Suite From "There Will Be Blood": 6. Oil | Copenhagen Phil – hele Sjællands Symfoniorkester, André de Ridder | 76 | 152 ½ | C# major | 2014 |
| Two Songs from "Lyricotera": Sob of Angels | Elena Papandreou | 76 | 152 ½ | G minor | 1998 |
| Wind Song | Fabrizio Paterlini | 76 | 152 ½ | C minor | 2014 |
| Something Made Out of Nothing | Roger Eno & Scoring Berlin | 76 | 152 ½ | C major | 2022 |
| An Buachaillín Bán | Kronos Quartet | 76 | 152 ½ | E minor | 2014 |
| Canto Ostinato: Section 56 | Polo de Haas, Kees Wieringa | 76 | 152 ½ | D# minor | 1996 |
| An Accidental Memory in the Case of Death | Eluvium | 76 | 152 ½ | C major | 2019 |
| Wind in the Bamboo Grove | Keiko Abe | 76 | 152 ½ | A major | 1990 |
| Reverence | Thrupence | 76 | 152 ½ | C# minor | 2019 |
| Skewed | A Threatened Logical Unit | 76 | 152 ½ | F major | 1999 |
| Dolce droga | Jeroen van Veen | 76 | 152 ½ | A major | 2013 |
| Solfeggio | NYYD Quartet | 76 | 152 ½ | C major | 2012 |
| Gravity Waves | The Harmonic Choir / David Hykes | 76 | 153 ½ | F# major | 1988 |
| ...pas à pas - nulle part..., op. 36: ...pas à pas - nulle part... | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 76 | 153 ½ | A minor | 2003 |
| Chaconne in C | Moondog | 76 | 153 ½ | C major | 1977 |
| Canto Ostinato: Section 16 | Polo de Haas, Kees Wieringa | 76 | 153 ½ | G# minor | 1996 |
| Canto Ostinato: Section 69 | Polo de Haas, Kees Wieringa | 76 | 153 ½ | A# minor | 1996 |
| Signs, Games and Messages: The Carenza Jig | Ken Hakii, Hiromi Kikuchi, Stefan Metz | 76 | 153 ½ | G major | 2003 |
| Symphony no. 3: IV | Bournemouth Symphony Orchestra, Marin Alsop | 76 | 153 ½ | F minor | 2004 |
| Ready or Not | Scala & Kolacny Brothers | 77 | 77 | D minor | 2015 |
| Canto Ostinato: Section 23 | Polo de Haas, Kees Wieringa | 77 | 153 ½ | D# minor | 1996 |
| Canto Ostinato: Section 71 | Polo de Haas, Kees Wieringa | 77 | 153 ½ | F minor | 1996 |
| Canto Ostinato: Section 91-C Page 53 | Polo de Haas, Kees Wieringa | 77 | 153 ½ | C# minor | 1996 |
| Canto Ostinato: Section 88-A Page 33 | Polo de Haas, Kees Wieringa | 77 | 154 ½ | D# minor | 1996 |
| Blue Moon | Blank + Jones | 77 | 154 ½ | E major | 2008 |
| King Gesar: The Birth of Gesar | Omar Ebrahim, Yo‐Yo Ma, Emanuel Ax, Peter Serkin, David Taylor, Stefan Huge, András Adorján, Deborah Marshall, William Purvis, Peter Lieberson | 77 | 154 ½ | F# major | 1996 |
| Melodia africana IV | Jeroen van Veen | 77 | 154 ½ | F major | 2013 |
| Prospero’s Books: Full fathom five | Sarah Leonard, Michael Nyman Band, Michael Nyman | 77 | 154 ½ | A# major | 1991 |
| The Protecting Veil: The Incarnation | France Springuel, I Fiamminghi, Rudolf Werthen | 77 | 154 ½ | F major | 1998 |
| Eight Concert Études, op. 40: No. 1. Prelude. Allegro assai | Marc‐André Hamelin | 77 | 154 ½ | D# major | 2004 |
| The River V | Ketil Bjørnstad & David Darling | 77 | 154 ½ | A minor | 1997 |
| Water Dances: Stroking / Synchronising | Michael Nyman | 77 | 155 ½ | C major | 1992 |
| Implicit Use Of Abstraction | Dalhous | 77 | 155 ½ | B minor | 2016 |
| Begin the Beguine | April Stevens with Nino Tempo | 77 | 77 | F major | 1997 |
| A Place We Pray For | Channel Light Vessel | 77 | 155 ½ | A minor | 1994 |
| Ruins | Alaskan Tapes | 77 | 155 ½ | A# major | 2018 |
| A Draedful Fog | Gisburg | 77 | 155 ½ | C# minor | 1998 |
| Passaggio | La Pietà, Angèle Dubeau | 77 | 155 ½ | B minor | 2015 |
| Everyone Is Falling | Vessels | 77 | 155 ½ | D# minor | 2017 |
| Music for Big Ears: #1 | Jeffrey Bossin, Charlemagne Palestine | 78 | 155 ½ | B major | 2001 |
| Ode to Birds and Rainbow, op. 60: III. Tapestry II. Allegro | BBC Philharmonic, Sachio Fujioka | 78 | 155 ½ | A major | 2000 |
| Apstulbusi akis prarado amą | Eesti Filharmoonia Kammerkoor, Paul Hillier | 78 | 155 ½ | F minor | 2005 |
| Dolmen Music: A. Overture and Men’s Conclave / B. Wa‐Ohs / C. Rain / D. Pine Tree Lullaby / E. Calls / F. Conclusion | Andrea Goodman, Meredith Monk, Monica Solem, Julius Eastman, Robert Een, Paul Langland | 78 | 155 ½ | D major | 1981 |
| Come Softly | Grouper | 78 | 156 ½ | A major | 2011 |
| Canto Ostinato: Section 60 | Polo de Haas, Kees Wieringa | 78 | 156 ½ | D# minor | 1996 |
| Canto Ostinato: Section 17 | Polo de Haas, Kees Wieringa | 78 | 156 ½ | F# major | 1996 |
| Byron: The Prophecy of Dante | Giovanni Sollima | 78 | 157 ½ | C# minor | 2005 |
| Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | 78 | 157 ½ | C# minor | 1999 |
| Latitude 2 | Robert Haigh | 80 | 80 | D major | 2010 |
| Orbit | Snorri Hallgrímsson | 80 | 80 | A# major | 2018 |
| Falling Out of the Sky | SubtractiveLAD | 80 | 80 | G major | 2009 |
| Machine Keys | Cubicolor | 80 | 80 | F# minor | 2016 |
| Fac ut portem Christi mortem | Bruno Coulais | 80 | 80 | A major | 2005 |
| Onde Corte | Jeroen van Veen | 80 | 80 | D major | 2013 |
| Closing Act | Andrew Bayer | 80 | 80 | C major | 2013 |
| Canto Ostinato: Section 75 | Polo de Haas, Kees Wieringa | 81 | 162 ½ | C# major | 1996 |
| String Quartet no. 5: V. | Dublin Guitar Quartet | 81 | 162 ½ | A minor | 2014 |
| Ogives / Redistributed | Eluvium | 81 | 162 ½ | G# minor | 2011 |
| Renegade Survivor | Wailing Souls | 81 | 162 ½ | G major | 2000 |
| Mysterious Rain | Robert Haigh | 81 | 162 ½ | B minor | 2011 |
| Quest: Refrain 3 | Ensemble New Art, Fuat Kent | 81 | 162 ½ | G major | 2006 |
| If You Were Here Tonight | Alexander O’Neal & Cherrelle | 81 | 81 | G# major | 2005 |
| Portrait | Daigo Hanada | 81 | 162 ½ | F minor | 2017 |
| Prologue | Meredith Monk | 81 | 163 ½ | G# minor | 1973 |
| Limitless | bvdub | 82 | 163 ½ | A minor | 2017 |
| Suite in the Old Style, op. 28: IV. Bourrée I / Bourrée II | Marc‐André Hamelin | 82 | 163 ½ | F major | 2004 |
| Impromptu (For the Procession) | Eluvium | 82 | 163 ½ | F# major | 2019 |
| Giuseppe Tornatore Suite: Cinema Paradiso: Looking for You | Yo‐Yo Ma | 82 | 163 ½ | A# major | 2007 |
| King Gesar: Gesar's Song of Completion | Omar Ebrahim, Yo‐Yo Ma, Emanuel Ax, Peter Serkin, David Taylor, Stefan Huge, András Adorján, Deborah Marshall, William Purvis, Peter Lieberson | 82 | 163 ½ | F minor | 1996 |
| K’in sventa Ch’ul Me’tik Kwadulupe | Kronos Quartet, Pegro Lunes Tak’il Bek’et, Rominko Patixtan Patixtan, Luanne Warner, Carmen Gomez Oso, Rominko Mendez Xik, Xun Perez Hol Cotom | 82 | 163 ½ | E major | 2002 |
| Signals | Brian Eno | 82 | 163 ½ | A# minor | 1983 |
| You Are (Variations): III. Explanations Come to an End Somewhere | Los Angeles Master Chorale, Grant Gershon | 82 | 163 ½ | G major | 2005 |
| Messa da Requiem: II. Dies irae: Confutatis | London Symphony Orchestra, Richard Hickox | 82 | 163 ½ | E major | 1996 |
| First Quartet: Movement 1 | Eric Chasalow | 82 | 164 ½ | E major | 1993 |
| The Canticle of the Sun: (Fig. 25) ... "Laudato si, mi Signore, cun tucte le tue creature..." - | Terry Edwards, London Voices, John Aley, John Alley, Simon Carrington, Neil Percy, Mstislav Rostropovich, Ryusuke Numajiri | 82 | 164 ½ | D# minor | 2001 |
| A Lie | Grouper | 82 | 164 ½ | B major | 2011 |
| Fratres | Die 12 Cellisten der Berliner Philharmoniker | 82 | 164 ½ | G minor | 1998 |
| La nascita delle cose segrete | Jeroen van Veen | 82 | 164 ½ | A major | 2013 |
| Metropolis Symphony: V. Red Cape Tango | Nashville Symphony Orchestra, Giancarlo Guerrero | 82 | 164 ½ | A minor | 2009 |
| Mors O Suavissima Rerum | Nicholas Lens | 82 | 164 ½ | C# minor | 1999 |
| Innocence | Roger Eno | 82 | 164 ½ | G# major | 2022 |
| L'Oiseau de feu (Suite): Danse infernale du roi Kastcheï | The Cleveland Orchestra, George Szell | 82 | 164 ½ | A major | 1991 |
| And Upon Awakening | Geotic | 82 | 82 | F# major | 2010 |
| If | Peter Rudenko | 82 | 164 ½ | A major | 2010 |
| Passaggio | Jeroen van Veen | 82 | 164 ½ | B minor | 2013 |
| Mera Kuchh Saaman | Kronos Quartet | 82 | 164 ½ | C major | 2014 |
| Messa da Requiem: II. Dies irae: Quid sum miser | London Symphony Orchestra, Richard Hickox | 82 | 164 ½ | G minor | 1996 |
| Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section | Benjamin Britten | 82 | 164 ½ | D minor | 1999 |
| à travers | NYYD Ensemble, Olari Elts | 82 | 164 ½ | B minor | 2008 |
| Gnossienne no. 4 | John Hackett & Steve Hackett | 82 | 164 ½ | G major | 2000 |
| Being Held | Ekin Fil | 82 | 164 ½ | C# major | 2021 |
| Folk Dance Suite: Zeimbekiko no. 1 | Elena Papandreou | 82 | 164 ½ | A minor | 1998 |
| Naxos Quartet no. 2: I. Lento — Allegro | Maggini Quartet | 82 | 164 ½ | C# minor | 2004 |
| String Quartet no. 4 in D major, op. 83: IV. Allegretto | The Manhattan String Quartet | 82 | 164 ½ | G minor | 1990 |
| ...pas à pas - nulle part..., op. 36: Intermezzo I | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 82 | 164 ½ | F minor | 2003 |
| Ach Golgatha | Violette Beaujeant, André Van Belle, Daniel Delmotte, Karel Goeyvaerts, Yoko Nagae | 82 | 82 | C# major | 1977 |
| Seven Scenes from Labyrinthos: In the World of Shadows | Paul Giger | 82 | 165 ½ | D major | 1993 |
| Trois Gnossiennes: II. Avec étonnement | Anne Queffélec | 82 | 165 ½ | A minor | 2001 |
| Starwood Choker | Bing & Ruth | 82 | 165 ½ | B major | 2017 |
| Azriel | Mark Feldman & Sylvie Courvoisier | 82 | 165 ½ | G minor | 2006 |
| Liivlaste pärandus: III. Vastlad | Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | 82 | 165 ½ | A# major | 1992 |
| Tropical Phenomenon | Balanescu Quartet | 83 | 83 | B minor | 2011 |
| Orphée Suite: I. The Cafe | Paul Barnes | 83 | 165 ½ | D# major | 2003 |
| The River III | Ketil Bjørnstad & David Darling | 83 | 83 | F major | 1997 |
| Lullaby and Doina: Gallop | Mark Dresser, Geoff Nuttall, Tara Helen O'Connor, Todd Palmer, Barry Shiffman, St. Lawrence String Quartet | 83 | 166 ½ | G major | 2002 |
| L'Oiseau de feu (Suite): Finale | The Cleveland Orchestra, George Szell | 83 | 166 ½ | B major | 1991 |
| U Get on My Nerves | Jazmine Sullivan duet with Ne‐Yo | 83 | 83 | F# major | 2010 |
| Andare | Jeroen van Veen | 83 | 166 ½ | E minor | 2013 |
| Gymnopédie no. 3 | John Hackett & Steve Hackett | 84 | 84 | A minor | 2000 |
| Olmsted Pond | Jesse Gallagher | 84 | 84 | G major | 2019 |
| Black Against an Orange Line | Haji K. | 84 | 84 | F major | 2020 |
| Climb to Sakteng | Imogen Heap | 84 | 84 | F major | 2014 |
| Good Night, requiem for soprano, alto flute, 3 tam-tams and piano, Op. 63: I. Lento tranquillissimo - cantabilissimo | Elzbieta Szmytka, Paul Edmund-Davies, Mireille Gleizes, Huub Righarts, I Fiamminghi, Rudolf Werthen | 84 | 84 | F major | 1996 |
| Long Way From Happiness | Elton John | 85 | 85 | F major | 1997 |
| Letter From A Distance | Akira Kosemura | 85 | 85 | A minor | 2017 |
| Pour que les fruits mûrissent cet été | Le Florilegium Musicum de Paris | 85 | 85 | F major | 1977 |
| Komorebi | Frameworks | 86 | 86 | D# major | 2017 |
| ...pas à pas - nulle part..., op. 36: La calma | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 86 | 172 ½ | A# major | 2003 |
| ...pas à pas - nulle part..., op. 36: Le tout petit macabre - Ligetinek | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 86 | 172 ½ | F minor | 2003 |
| ...pas à pas - nulle part..., op. 36: Octave | Kurt Widmer, Mircea Ardeleanu, Ken Hakii, Hiromi Kikuchi, Stefan Metz | 86 | 172 ½ | C# minor | 2003 |
| Ancient Vase | Keiko Abe | 86 | 172 ½ | A minor | 1990 |
| Concerto for Cello and Orchestra: I. Moderato mosso. Allegro. Cadenza. Allegro vivace | Torleif Thedéen, Sinfonia Lahti, Osmo Vänskä | 86 | 172 ½ | A minor | 1990 |
| Julia | Jeroen van Veen | 86 | 172 ½ | F major | 2013 |
| Kamui-Chikap Symphony (Symphony no. 1), op. 40: I. Ground. Andante | BBC Philharmonic, Sachio Fujioka | 86 | 172 ½ | A# major | 2000 |
| Quest: II. Fugitive Sounds | Ensemble New Art, Fuat Kent | 86 | 172 ½ | A minor | 2006 |
| Seguidilla murciana | Kim Kashkashian, Robert Levin | 86 | 172 ½ | F major | 2007 |
| String Quartet No. 1 ("Between the National and the Bristol") | Gavin Bryars | 86 | 172 ½ | C major | 1986 |
| The Paleontologist | Konx‐om‐Pax | 86 | 172 ½ | E minor | 2019 |
| The Protecting Veil: The Protecting Veil | France Springuel, I Fiamminghi, Rudolf Werthen | 86 | 172 ½ | F major | 1998 |
| Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic | eighth blackbird | 86 | 172 ½ | D# major | 2004 |
| Axis (piano version) | Danimal Cannon feat. Shnabubula | 86 | 172 ½ | E minor | 2016 |
| Bluebird | Last Train To Brooklyn | 86 | 172 ½ | A minor | 2018 |
| Chorale | Mannheim Steamroller | 86 | 172 ½ | C major | 1977 |
| Empty Square | Near the Parenthesis | 86 | 172 ½ | A minor | 2008 |
| Genius and the Thieves | Eluvium | 86 | 172 ½ | D major | 2019 |
| Get Held | Geotic | 86 | 172 ½ | A major | 2010 |
| Hajnal | Venetian Snares | 86 | 172 ½ | G# minor | 2005 |
| I’m Sorry I Failed You | Venetian Snares | 86 | 172 ½ | A minor | 2007 |
| Anticipating Vicinity | Syrge | 86 | 86 | A# major | 2020 |
| Im Glanze der Kometen | Bersarin Quartett | 86 | 86 | F minor | 2012 |
| Slow Within | Federico Albanese | 87 | 87 | F minor | 2018 |
| Mad World | Alex Parks | 87 | 87 | E major | 2003 |
| I'm So Lonesome I Could Cry | Lucille Starr | 87 | 87 | C major | 1995 |
| Little Bitty Pretty One | Billy Gilman | 87 | 87 | C major | 2000 |
| Requiem for My Friend: Part Two "Life": The Beginning: Love | Elżbieta Towarnicka, Varsov Chamber Choir, Piotr Łykowski, Dorota Ślęzak, Jerzy Główczewski, Leszek Możdżer, Jacek Ostaszewski, Sinfonia Varsovia, Jacek Kaspszyk | 87 | 87 | E minor | 1998 |
| Delusion of the Fury: Act I — On a Japanese Theme: The Pilgrimage | Ensemble of Unique Instruments, Danlee Mitchell | 87 | 87 | F minor | 1971 |
| Finger of God | Tyler Bates | 88 | 88 | D minor | 2011 |
| Lost Project | No Mistakes | 88 | 88 | F major | 2008 |
| Otra vez | Chayanne | 88 | 88 | F minor | 1998 |
| Between The Trees | Akira Kosemura | 88 | 88 | A minor | 2017 |
| I Said No! | Alvino Rey & His Orchestra | 89 | 89 | A major | 1941 |
| Allá tú | Los Bukis | 89 | 89 | E major | 1991 |
| Are You Teasing Me | Lucille Starr | 89 | 89 | C major | 1999 |
| Here and Now, Then and Gone | Jessica Pavone | 89 | 89 | C minor | 2009 |
| Smallbitter | Jonson | 89 | 89 | F minor | 2005 |
| Myriad Days | Eluvium | 89 | 89 | G major | 2019 |
| Matta | Brian Eno | 89 | 178 ½ | C minor | 1983 |
| Hips Dance | Meredith Monk | 89 | 178 ½ | D# minor | 1997 |
| Jeux d'eau | Alfred Cortot | 89 | 178 ½ | F# major | 1998 |
| Last Round: I. Movido, Urgente - Macho, cool and dangerous | Mark Dresser, St. Lawrence String Quartet, Ying Quartet | 89 | 178 ½ | C major | 2002 |
| Life | Jeroen van Veen | 89 | 178 ½ | A minor | 2013 |
| Rehearsing War Requiem: Libera Me (rehearsal) | Benjamin Britten | 89 | 178 ½ | C minor | 1999 |
| Cuando el misterio es demasiado impresionante, es imposible desobedecer | Leandro Fresco & Rafael Anton Irisarri | 89 | 178 ½ | A# minor | 2017 |
| Dragging the Streets | Grouper | 89 | 178 ½ | F major | 2011 |
| Empathy for a Silhouette | Eluvium | 89 | 178 ½ | E major | 2019 |
| Holló Utca 5 | Venetian Snares | 89 | 178 ½ | F minor | 2007 |
| Las palabras son fuente de malentendidos | Leandro Fresco & Rafael Anton Irisarri | 89 | 178 ½ | B minor | 2017 |
| Soul Eraser | Grouper | 89 | 178 ½ | G major | 2011 |
| Dat kölsche Hätz kütt an d'r Rhing zoröck | Marita Köllner | 89 | 89 | G major | 2016 |
| Dark Waltz | Hayley Westenra | 89 | 89 | D# minor | 2002 |
| Heartless | bvdub | 89 | 89 | F# minor | 2017 |
| Féerie | Rondò Veneziano | 90 | 90 | D minor | 1990 |
| Homeless (instrumental version) | Snorri Hallgrímsson | 90 | 90 | D major | 2018 |
| Requiem | Conspirare, Craig Hella Johnson | 90 | 90 | A# major | 2006 |
| Pendulum Music (III) | Ensemble Avantgarde | 90 | 90 | D# minor | 1999 |
| Shine | Michael FK & Mary Leshno | 90 | 90 | A# minor | 2015 |
| From One to Six Hundred Kilometers | Dillon | 90 | 90 | C# minor | 2011 |
| Quatuor pour la Fin du Temps: Louange a l'Éternité de Jésus | Quatuor Olivier Messiaen | 90 | 90 | E major | 1994 |
| Indica | Lux | 90 | 90 | F major | 2005 |
| Am Anstoßkreis | Bläck Fööss | 90 | 90 | C major | 2016 |
| Alles das und mehr | Konstantin Wecker | 90 | 90 | G# minor | 2017 |
| Ode to Birds and Rainbow, op. 60: I. Introduction. Largo - | BBC Philharmonic, Sachio Fujioka | 90 | 90 | D minor | 2000 |
| Elegie | Jörg Widmann, Deutsche Radio Philharmonie, Christoph Poppen | 91 | 91 | C major | 2011 |
| La rosa y el sauce | Kim Kashkashian, Robert Levin | 91 | 91 | F# minor | 2007 |
| Pavane pour une infante défunte | Orchestre symphonique de Montréal, Charles Dutoit | 91 | 91 | G major | 1999 |
| Gnossienne No. 1 | Anders Miolin | 91 | 91 | F minor | 1993 |
| PRG | μ‐Ziq | 91 | 91 | F# major | 2015 |
| La carcacha | Selena y Los Dinos | 91 | 91 | G# major | 2015 |
| Pavane pour une infante défunte | Sviatoslav Richter | 91 | 91 | E minor | 2009 |
| Tango | Alberto Neuman | 91 | 91 | D minor | 1995 |
| Nana | Kim Kashkashian, Robert Levin | 91 | 91 | A minor | 2007 |
| El pobre Juan | Los Bukis | 91 | 91 | D major | 1986 |
| Gracias a la vida | Konstantin Wecker | 91 | 91 | B minor | 2017 |
| Land of Make Believe | Rumer | 91 | 91 | A# major | 2016 |
| Piano Sonata no. 6, op. 62: II. Grave | Marc‐André Hamelin | 92 | 92 | D minor | 2004 |
| Alpha | Trans‐4M | 92 | 92 | F major | 1995 |
| Lo straniero | Bobby Solo | 92 | 92 | A major | 2006 |
| Tiki tiki ta (Uno momento) | Thalía | 92 | 92 | D major | 2016 |
| Conversazione | Zerosospiro | 92 | 92 | F# major | 2007 |
| Chiplandschaften 1 | Jonson | 92 | 92 | B major | 2005 |
| Cold Season (Prelude) | Robert Haigh | 92 | 185 ½ | A minor | 2010 |
| Hermana | Bosques de mi Mente | 92 | 185 ½ | A minor | 2007 |
| Pièces froides no. 2 (Danse de travers II) | John Hackett & Steve Hackett | 92 | 185 ½ | A minor | 2000 |
| String Quartet no. 5: I | The Smith Quartet | 92 | 92 | A minor | 2008 |
| Bedingungslos | Bersarin Quartett | 92 | 92 | C minor | 2015 |
| Pensiero stupendo | Patty Pravo | 92 | 92 | D# major | 1987 |
| Todavía te quiero | Thalía feat. De La Ghetto | 93 | 93 | D major | 2016 |
| Aha Gèdawo | Kronos Quartet | 93 | 93 | C minor | 2012 |
| Faltas tu | Los Temerarios | 93 | 93 | D major | 2007 |
| Un velero llamado Libertad | José Luis Perales | 94 | 94 | E major | 1986 |
| Galamb egyedül | Venetian Snares | 94 | 94 | G# minor | 2005 |
| Eight Summaries: No. 2. Largo - Animato | Elena Papandreou | 94 | 94 | B minor | 1998 |
| Symphony no. 4: II. Allegro | Sinfonia Lahti, Osmo Vänskä | 94 | 94 | E minor | 1990 |
| Never Too Late | Alison Moyet | 95 | 95 | G major | 1991 |
| All I Have to Do Is Dream | Barry Manilow | 95 | 95 | G# major | 2006 |
| Desde esa noche | Thalía feat. Maluma | 95 | 95 | D major | 2016 |
| Travelling | Meredith Monk, Collin Walcott | 95 | 95 | E major | 1981 |
| Melancholia III | William Basinski | 95 | 95 | D minor | 2003 |
| Valse Triste (extract) | Finnish Radio Orchestra, Jukka‐Pekka Saraste | 95 | 95 | F# minor | 1995 |
| Methods of Elan | Dalhous | 95 | 95 | A# minor | 2016 |
| No te des por vencido | Los Bukis | 95 | 95 | C major | 1991 |
| Felbomlasztott mentőkocsi | Venetian Snares | 96 | 96 | F# minor | 2005 |
| How Deep Is Your Love | Portrait | 96 | 96 | D# major | 1995 |
| Bonjour Tristesse | Lucille Starr | 96 | 96 | C major | 1999 |
| Sweep 2 | Meredith Monk | 96 | 96 | C# major | 2008 |
| Beyond This Veil of Crystal Rails | Harold Budd / Daniel Lentz / Jessica Karraker | 96 | 96 | F minor | 1998 |
| La maja dolorosa | Kim Kashkashian, Robert Levin | 96 | 96 | B minor | 2007 |
| Six Marimbas Counterpoint | Kuniko Kato | 96 | 96 | A# minor | 2011 |
| Still: I. Fließend | Münchener Kammerorchester, Dennis Russell Davies, Kim Kashkashian | 96 | 96 | B minor | 2010 |
| Poquita fe | Thalía | 96 | 96 | A# major | 2016 |