What dance fits “Dolmen Music: A. Overture and Men’s Conclave / B. Wa‐Ohs / C. Rain / D. Pine Tree Lullaby / E. Calls / F. Conclusion”?
How to count it
At 155 BPM one beat lasts 386 milliseconds. In 4/4 that is 38.8 bars per minute; in 3/4 it is 51.8. Ballroom rhythm analysis suggests a Viennese waltz pattern (81% confidence).
Audio profile
- Danceability (model)
- Low (100% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Instrumental
- Tags
- classical, contemporary classical
- Release
- The Recordings
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Apstulbusi akis prarado amą | Eesti Filharmoonia Kammerkoor, Paul Hillier | 155 | F minor | Contemporary Dance | 2005 |
| Music for Big Ears: #1 | Jeffrey Bossin, Charlemagne Palestine | 155 | B major | Contemporary Dance | 2001 |
| Ode to Birds and Rainbow, op. 60: III. Tapestry II. Allegro | BBC Philharmonic, Sachio Fujioka | 155 | A major | Contemporary Dance | 2000 |
| Come Softly | Grouper | 156 | A major | Contemporary Dance, East Coast Swing | 2011 |
| Canto Ostinato: Section 60 | Polo de Haas, Kees Wieringa | 156 | D# minor | Contemporary Dance | 1996 |
| A Draedful Fog | Gisburg | 155 | C# minor | Contemporary Dance | 1998 |
| Passaggio | La Pietà, Angèle Dubeau | 155 | B minor | Contemporary Dance | 2015 |
| Everyone Is Falling | Vessels | 155 | D# minor | Contemporary Dance | 2017 |
| A Place We Pray For | Channel Light Vessel | 155 | A minor | Contemporary Dance | 1994 |
| Ruins | Alaskan Tapes | 155 | A# major | Contemporary Dance | 2018 |
| Canto Ostinato: Section 17 | Polo de Haas, Kees Wieringa | 156 | F# major | Contemporary Dance | 1996 |
| Water Dances: Stroking / Synchronising | Michael Nyman | 155 | C major | Contemporary Dance | 1992 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.