What dance fits “Symphony for Eight”?
How to count it
At 120 BPM one beat lasts 502 milliseconds. In 4/4 that is 29.9 bars per minute; in 3/4 it is 39.9. Ballroom rhythm analysis suggests a Viennese waltz pattern (85% confidence).
Audio profile
- Danceability (model)
- Low (99% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Instrumental
- Tags
- classical, contemporary classical
- Release
- Glass Reflections
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Im schwarzen Walfisch zu Askalon | Achim Reichel | 120 | D major | Contemporary Dance, Foxtrot | 2002 |
| Siboney | Connie Francis | 119 | G minor | Musical Theatre Dance, Contemporary Dance, Foxtrot | 2004 |
| There Is a Father in the Sky, There Is a Mother in the Ground | Sigillum Dei | 119 | D minor | Contemporary Dance | 2013 |
| Glaub | Jeffrey Zeigler | 120 | E minor | Contemporary Dance | 2014 |
| Oltremare | Jeroen van Veen | 120 | E minor | Contemporary Dance | 2013 |
| Eugenio IV | Murcof | 120 | C minor | Contemporary Dance | 2009 |
| Nothing Compares 2 U | Dune & The London Session Orchestra | 120 | F major | Contemporary Dance | 1997 |
| Sleep and We’ll Transition | Geotic | 120 | C# major | Contemporary Dance | 2010 |
| Don't Look Back | Darryl Way feat. Pachelbel's Canon | 120 | A major | Contemporary Dance | 2014 |
| Requiem: II. Out of the Deep | Polyphony, Lionel Handy, Bournemouth Sinfonietta, Stephen Layton | 120 | F minor | Contemporary Dance | 1997 |
| Uspávanky | Vladimír Godár | 120 | B major | Contemporary Dance | 2006 |
| In Parallel III (Parallel Line Rework by CNCPT) | Emika & CNCPT | 120 | G major | Contemporary Dance | 2021 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.