Fred Astaire quotes

Fred Astaire — American dancer, choreographer, actor, and singer (1899–1987).

“I have no desire to prove anything by it. I have never used it as an outlet or a means of expressing myself. I just dance.”

from Astaire's autobiography Steps in Time, 1959, p. 325.

“When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.”

op. cit., p. 6.

“But I do nothing that I don't like, such as "inventing" up to the arty or "down" to the corny. I happen to relish a certain type of corn. What I think is the really dangerous approach is the "let's be artistic" attitude. I know that artistry just happens.”

op. cit., pp. 6-7.

“I don't make love by kissing, I make love by dancing.”

Fred Astaire to Henry Ephron, screenwriter on Daddy Long Legs, as quoted in Ephron, Henry. We Thought We Could Do Anything: The Life of Screenwriters Phoebe and Henry Ephron, New Y

“Either the camera will dance, or I will.”

Fred Astaire in Winge, John. "How Astaire Works." Film and Theatre Today, January 1950, pp. 7-9. (M).

“There comes a day when people begin to say, 'Why doesn't that old duffer retire?' I want to get out while they're still saying Astaire is a hell of a dancer.”

Fred Astaire in Time. "The New Pictures: 'Blue Skies'". October 14, 1946, p. 103. (M).

“A four wood I hit on the 13th hole at Bel Air Country Club in June of 1945. It landed right on the green and rolled into the cup for a hole in one.”

Fred Astaire on his proudest achievement in Lewis, Jerry D. "Interview : Fred Astaire." Glendale Federal Magazine, Summer 1982, pp. 8-10. (M).

“What's all this talk about me being teamed with Ginger Rogers? I will not have it Leland--I did not go into pictures to be teamed with her or anyone else, and if that is the program in mind for me I will not stand for it. I don't mind making another picture with her but as for this teams idea, it's out.”

Fred Astaire in a letter to his agent Leland Hayward dated February 9, 1934. He went on to make a further nine musical films with Rogers. (M).

“I have had to do most of my choreography. I would say most of it, with help from various choreographers I have worked with.”

Fred Astaire in "Reminiscences of Fred Astaire", Interview with Ronald L. Davis, Beverly Hills, July 31, 1978, SMU Oral History Project on the Performing Arts. (M).

“Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?'”

Fred Astaire, interviewed by Dan Navarro for American Classic Screen Magazine, September/October 1978.

“He lacks confidence to the most enormous degree of all the people in the world. He will not even go to see his rushes. He’ll stay out in the alley and pace up and down and worry and collar you when you come out and say: ‘How good was so and so?’, and he’ll keep you for 45 minutes. It would be much simpler if he would go and look at them himself, you know? But he always thinks he’s no good.”

Vincente Minnelli quoted in Schickel, Richard. The Men Who Made The Movies. New York: Atheneum, 1975. (M).

“He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled.”

George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. "Balanchine, An Interview". Horizon, January 1961, pp. 44-56. (M).

“He is the most interesting, the most inventive, the most elegant dancer of our times... you see a little bit of Astaire in everybody's dancing--a pause here, a move there. It was all Astaire's originally.”

George Balanchine, quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. p. 33.

“What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face.”

Mikhail Baryshnikov at the 1978 Kennedy Center Honours for Fred Astaire and George Balanchine, as quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. p. 255.

“He's a genius...a classical dancer like I never saw in my life.”

Mikhail Baryshnikov in "Interview with Mike Wallace", 60 Minutes, CBS Television. February 18, 1979. (M).

“It's unmatched perfection. It's a taste, understanding of his strength, and weaknesses in a way. He was not a sexual animal, but he made his partners look so extraordinarily related to him.”

Mikhail Baryshnikov in an interview on Larry King Live, CNN. 5 May 2002.

“He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.”

Rudolph Nureyev quoted in Cooke, Alistair. "Fred Astaire Obituary", Letter From America, BBC World Service, June 1987.

“When I was in the Soviet Union recently I was being interviewed by a newspaperman and he said, "Which dancers influenced you the most?" and I said, "Oh, well, Fred Astaire." He looked very surprised and shocked and I said, "What's the matter?" He said, "Well, Mr. Balanchine just said the same thing."”

Jerome Robbins in Heeley, David, producer and director. Fred Astaire: Puttin' on his Top Hat and Fred Astaire: Change Partners and Dance (two television programs written by John L.

“The history of dance on film begins with Astaire.”

Gene Kelly in Heeley, David, producer and director. Fred Astaire: Puttin' on his Top Hat and Fred Astaire: Change Partners and Dance (two television programs written by John L. Mil

“Except for times Fred worked with real professional dancers like Cyd Charisse, it was a twenty five year war.”

Hermes Pan, Astaire's principal choreographic collaborator, quoted in Davidson, Bill. The Real and the Unreal. New York: Harper and Bros., 1961. p. 186. (M).

“There is no setup in Hollywood that compares with an Astaire picture.”

Irving Berlin to George Gershwin quoted in Jablonski, Edward, and Stewart, Lawrence D. The Gershwin Years. Garden City, N.Y.: Doubleday, 1961, p. 250. (M).

“As a dancer he stands alone, and no singer knows his way around a song like Fred Astaire.”

Irving Berlin, quoted in Puttin' on the Ritz, BBC Programme Acquisition, 1999.

“He has a remarkable ear for intonation, a great sense of rhythm and what is most important, he has great style - style in my way of thinking is a matter of delivery, phrasing, pace, emphasis, and most of all presence.”

Bing Crosby in Crosby, Bing. Liner notes for Attitude Dancing, United Artists Records, UAS29888, 1975. (M).

“There never was a greater perfectionist, there never was, and never will be, a better dancer, and I never knew anybody more kind, more considerate, or more completely a gentleman...I love Fred, John, and I admire and respect him. I guess it's because he's so many things I'd like to be and I'm not.”

Bing Crosby in a letter to John O'Hara as quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. p. 242.

“For a guy who had retired ostensibly, your comeback represents the greatest event since Satchel Paige.”

Bing Crosby in a letter to Fred Astaire, c.1948, on Astaire's return in Easter Parade, as quoted in Astaire's biography, Steps in Time, United States, 1959. p. 293. .

“When you talk about Fred Astaire, you talk about heaven. What more can I say?”

Johnny Green to Mike Steen in Steen, Mike. Hollywood Speaks! An Oral History, G.P. Putnam's, New York, 1974.

“Fred Astaire once worked so hard/ he often lost his breath/ and now he taps all other chaps to death”

from Lorenz Hart's lyric to "Do it the Hard Way" from Pal Joey.

“They climb the clouds/ To come through with airmail/ The dancing crowds/ Look up to some rare male/ Like that Astaire male.”

from Lorenz Hart's title number to On Your Toes.

“Astaire can't do anything bad.”

Jerome Kern quoted in Bordman, Gerald. Jerome Kern: His Life and Music. New York: Oxford University Press, 1980. p. 142. (M).

“Fred Astaire is the best singer of songs the movie world ever knew. His phrasing has individual sophistication that is utterly charming. Presumably the runner-up would be Bing Crosby, a wonderful fellow, though he doesn't have the unstressed elegance of Astaire.”

Oscar Levant in Levant, Oscar. The Memoirs of an Amnesiac. New York: Putnam, 1965. (M).

“Our homeward step was just as light/As the tap-dancing feet of Astaire/And, like an echo far away,/A nightingale sang in Berkeley Square”

from Eric Maschwitz's lyrics to A Nightingale Sang in Berkeley Square with music by Manning Sherwin

“You're the nimble tread/Of the feet of Fred Astaire”

from Cole Porter's lyric to "You're the Top".

“Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one.”

Artie Shaw on his collaboration with Astaire in Second Chorus (1940) as interviewed in Fantle, Dave and Johnson, Tom. Reel to Real. Badger Books LLC, 2004, p. 304. .

“By far the gentlest man I have ever known.”

Frank Sinatra on Astaire as quoted in Barnes, Clive. "Top Hat, White Tie and Tails - Fred Astaire dead at 88," New York Times, June 23, 1987 as reproduced in Billman, Larry. Fred A

“Q: What great singers of the past do you wish had sung your music?”

“A: Nobody really. Well, actually, Fred Astaire.”

Stephen Sondheim in an interview with David Patrick Stearns, Classical Music Critic, The Philadelphia Inquirer, February 19, 2009

“Can't act, slightly bald, also dances.”

Fred Astaire's version of the lost infamous screen test report in his interview on 20/20 with Barbara Walters, ABC, 1980 and reaffirmed by Astaire in Thomas, Bob. Astaire, the Man,

“You know, you so-and-so, you've a little of the hoodlum in you.”

Jimmy Cagney to Fred Astaire during rehearsals of "Top Hat, White Tie and Tails" from Top Hat as quoted in Astaire's autobiography, Steps in Time, p. 8.

“Once after a dinner party, Gregory Peck and I drove Fred Astaire home. Fred lived in a colonial house that had a long porch with many pillars. When we dropped him off, he danced along the whole front porch, then opened the door, tipped his hat to us, and disappeared. Wow! Greg and I couldn't speak for a few minutes. It was a beautiful way to say thank you.”

Kirk Douglas in Douglas, Kirk. Let's Face It. Wiley, 2007. , p. 26.

“You can get dancers like this for $75 a week.”

Johnny Considine, MGM associate producer, on viewing Astaire's screen test. Source: Burton Lane as quoted in Green, Benny. Fred Astaire. London: Hamlyn, 1979 and reaffirmed by Lane

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