What dance fits “It’s Garry Shandling’s Show”?
How to count it
At 128 BPM one beat lasts 469 milliseconds. In 4/4 that is 32.0 bars per minute; in 3/4 it is 42.7. Ballroom rhythm analysis suggests a cha-cha pattern (62% confidence).
Audio profile
- Danceability (model)
- Low (61% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Vocal
- Tags
- soundtrack, movie soundtrack, tv soundtrack
- Release
- Television’s Greatest Hits, Volume 7: Cable Ready
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Licence Revoked | Michael Kamen | 128 | E minor | Musical Theatre Dance | 1989 |
| Alf Opening Theme | Alf Clausen | 128 | C major | Musical Theatre Dance | 1996 |
| Vega$ | Dominic Frontiere | 128 | D minor | Musical Theatre Dance | 1996 |
| La Marche | Bruno Coulais | 128 | A minor | Musical Theatre Dance | 1999 |
| Les Promesses | Autour de Lucie | 129 | A minor | Musical Theatre Dance | 2004 |
| Sorry Seems to Be the Hardest Word | Mary J. Blige | 129 | D# minor | Musical Theatre Dance | 2004 |
| Unlearn (Josh Wink’s Live mix) | Psykosonik | 129 | F minor | Musical Theatre Dance | 1995 |
| Full House | Jesse Frederick | 127 | A major | Musical Theatre Dance | 1996 |
| Gimme What You Got | Black Daniel | 127 | A# major | Musical Theatre Dance | 2012 |
| Wonkavator / End Title (Pure Imagination) | Leslie Bricusse and Anthony Newley | 129 | F# minor | Musical Theatre Dance, Jazz Dance | 1971 |
| Reason to Believe | Vonda Shepard | 127 | G major | Musical Theatre Dance | 2001 |
| Major Dad | Roger Steinman | 127 | F major | Musical Theatre Dance | 1996 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.