$783.4K
latest revenue
$1.1M
total assets
1973
exempt since
28
NEA dance grants
- EIN
- 87-0294341
- Location
- Salt Lake Cty, UT 84101
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $801,539
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $868,443 | $1,058,783 | $750,285 | $1,108,405 | |
| 2022 | $1,060,008 | $837,345 | $958,257 | $1,266,619 | |
| 2021 | $939,447 | $705,000 | $894,271 | $1,187,461 | |
| 2020 | $772,972 | $803,061 | $687,576 | $955,046 | |
| 2019 | $909,769 | $878,541 | $716,950 | $906,639 | |
| 2018 | $997,906 | $892,567 | $649,048 | $876,260 | |
| 2017 | $823,467 | $826,016 | $725,019 | $772,821 | |
| 2016 | $877,235 | $838,276 | $707,119 | $771,708 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2026 | $15,000 | Purpose: To support a choreographer residency program. Additional Project Description: The emerging choreographer, selected by a jury, will spend two weeks in residence with professional dancers of the company and will b |
| 2022 | $15,000 | Purpose: To support the creation and presentation of a new interdisciplinary work, Scenes for an Ending, by Raja Feather Kelly. Additional Project Description: Created around the theme of why people come together and fal |
| 2021 | $10,000 | To support the touring of a new dance created by Culture Mill co-directors Murielle Elizéon and Tommy Noonan and performed by the Ririe-Woodbury Dance Company. Performances will be accompanied by educational and communit |
| 2020 | $10,000 | To support a rural tour of dance engagement programs. The company will work with presenting organizations in Wyoming, Idaho, Nevada, and Utah to engage with their communities and promote contemporary dance as an accessib |
| 2019 | $10,000 | To support the facilitation of dance engagement programs. The company will work with the Center for the Arts at Kayenta in Ivins, Utah and The Noorda Center for the Performing Arts at Utah Valley University in Orem, Utah |
| 2018 | $30,000 | To support a tour of performances and residency activities. The company will present works from its repertory and collaborate with Arts for the Schools and Truckee High School Theatre in California, Cape Fear Community C |
| 2017 | $20,000 | To support a tour of performances and residency activities. The company will present works from its repertory and collaborate with Utah presenting organizations to tailor the outreach specifically to their needs and goal |
| 2016 | $20,000 | To support a tour of performances and residency activities. The company will present works from its repertory and collaborate with presenting organizations to tailor the outreach specifically to their needs and goals. Re |
| 2015 | $30,000 | To support a regional tour of performances and residency activities. The company will present works from its repertory and collaborate with presenting organizations to tailor the outreach specifically to their needs and |
| 2014 | $30,000 | To support a tour of performances and residency activities. The company will present works from its repertory and collaborate with presenting organizations to tailor the outreach specifically to their needs and goals. Re |
| 2013 | $30,000 | To support the creation, presentation, and touring of a new work by choreographer Doug Varone, in collaboration with University of Utah dance professor and media artist Ellen Bromberg. The company will tour and conduct c |
| 2012 | $45,000 | To support dance residency activities and performances in Utah, Louisiana, Georgia, and Idaho. The project will include lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classe |
| 2011 | $25,000 | To support dance residency activities and performances at the Del E. Webb Center in Arizona and at the University of Southern Mississippi. The project will include lecture-demonstrations, creative movement classes, teach |
| 2010 | $30,000 | To support dance residency activities in communities across the United States. The project will include lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classes, parent/child |
| 2010 | $30,000 | To support the restaging of "Duet," created in 1995 by choreographer Bill T. Jones. The project will be part of the company's annual summer workshop, and will include classes in improvisation and technique. |
| 2009 | $25,000 | To support dance residency activities in communities across the United States. The project will include lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classes, parent/child |
| 2008 | $20,000 | To support dance residency activities in communities across the United States. The project will include lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classes, parent/child |
| 2007 | $20,000 | To support dance residency activities in communities across the United States. The project will include activities such as lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, parent/chi |
| 2006 | $20,000 | To support dance residency activities in communities across the United States. The project will include lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classes, parent/child |
| 2005 | $20,000 | To support dance residency activities, including lecture-demonstrations, creative movement classes, teacher workshops, open rehearsals, master classes, and parent/child workshops. |
| 2004 | $30,000 | To support dance residency activities. The company will travel to Augusta, and Gainesville, Georgia; Nashville, Tennessee; and Great Valley, Pennsylvania. |
| 2003 | $30,000 | To support residency activities. The company will travel to rural areas of Utah and California. |
| 2003 | $10,000 | To support a consortium project for a residency at the University of Utah with choreographer Carolyn Carlson. The teaching residency and creative workshop will include the development of a 35 minute work. |
| 2002 | $30,000 | To support residency activities. The company will travel to California, Florida, Idaho, New York, and Ohio and offer a broad range of dance activities and workshops. |
| 2001 | $20,000 | To support residency activities in Louisiana. The company will travel to Louisiana to offer a variety of dance workshops to all ages, ranging from Afro-Caribbean dance and creative movement in local schools to ballroom d |
| 2000 | $20,000 | To support a teacher education project in dance titled Curriculum Based Partnership. The company will conduct workshops in Idaho and Ohio in an effort to give teachers and students the necessary skills to fulfill their s |
| 1999 | $10,000 | To support residency activities. The Community Based Programming Project will involve collaborations with a coalition of diverse representatives to design residencies in communities in Washington and Ohio. |
| 1998 | $30,000 | To support the continuation of the Community Based Programming Project that will provide dance services, based on the needs and opportunities identified in local communities, to rural areas in California, Idaho, and Neva |
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Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.