$1.6M
latest revenue
$848.7K
total assets
1991
exempt since
29
NEA dance grants
- EIN
- 51-0173127
- Location
- New York, NY 10018
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $1,577,420
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $1,186,616 | $1,133,648 | $748,138 | $1,155,348 | |
| 2022 | $1,947,384 | $1,427,490 | $1,030,808 | $1,052,199 | |
| 2021 | $988,567 | $935,237 | $439,265 | $834,913 | |
| 2020 | $1,395,397 | $1,507,918 | $584,055 | $638,413 | |
| 2019 | $1,643,705 | $1,561,210 | $1,019,642 | $582,769 | |
| 2018 | $1,559,408 | $2,119,235 | $391,044 | $450,274 | |
| 2017 | $1,215,121 | $1,841,886 | $479,083 | $1,035,470 | — |
| 2016 | $3,280,358 | $1,966,506 | $2,043,629 | $1,664,155 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2024 | $40,000 | Purpose: To support the rehearsal and production of works by Trisha Brown and a guest choreographer, and related public engagement and preservation activities. Additional Project Description: In addition to reconstructin |
| 2023 | $50,000 | Purpose: To support the reconstruction, presentation, and documentation of several pieces of choreography by Trisha Brown. Additional Project Description: The program will feature two to three reconstructed works by Brow |
| 2022 | $60,000 | Purpose: To support the reconstruction, presentation, and documentation of dance works choreographed by Trisha Brown, along with related public engagement and preservation activities. Additional Project Description: The |
| 2021 | $60,000 | To support the planning, rehearsal, and production costs of a virtual production of The Decoy Project, a unique arrangement of Trisha Brown's 1979 work, Glacial Decoy. This arrangement for video is born out of a desire t |
| 2020 | $80,000 | To support the planning and rehearsals costs for the reconstruction and performances of Trisha Brown's 1991 work Astral Converted and other works. |
| 2019 | $80,000 | To support performances, educational work, and the preservation of Trisha Brown's legacy. The project will include Trisha Brown: In Plain Site, a program that adapts Brown's works into site-specific performance experienc |
| 2018 | $80,000 | To support Trisha Brown Dance Company's touring, educational work, and the preservation of Trisha Brown's legacy. Performances of "Trisha Brown: In Plain Site" is a program that adapts Brown's works into site-specific pe |
| 2017 | $80,000 | To support the reconstruction, touring, educational work and preservation of Trisha Brown's legacy. The new program "Trisha Brown: In Plain Site," will adapt Brown's works into site-specific performance experiences. In c |
| 2016 | $80,000 | To support the extension of the "Proscenium Works, 1979-2011" tour, as well as a new program, "Trisha Brown: In Plain Site." Touring will include a performance series at the Brooklyn Academy of Music and a retrospective |
| 2015 | $60,000 | To support the presentation of performances in New York City and on tour across the U.S., including a restaging of Brown's "Present Tense" (2003), with sets by Elizabeth Murray and music by John Cage. The restaging and e |
| 2014 | $60,000 | To support the presentation of repertory works by Trisha Brown at home and on tour. These presentations are part of the company's "Proscenium Works, 1979-2011" tour, a final showcase of Brown's major stage works in the p |
| 2013 | $60,000 | To support performances at the Brooklyn Academy of Music in New York City, and other touring engagements. Education and outreach activities will include master classes, exhibitions, and activities that incorporate materi |
| 2012 | $60,000 | To support the performance of "Astral Converted" and affiliated community outreach activities. The company will also present open rehearsals, lectures, panels and artist talkbacks. |
| 2011 | $70,000 | To support the creation of a new work by choreographer Trisha Brown. Commissioned by the Theatre National de Chaillot in Paris, France. |
| 2010 | $70,000 | To support a new work by choreographer Trisha Brown commissioned by the Festival International d'Art Lyrique in Aix-en-Provence, France. The piece will be based on Jean-Philippe Rameau's one act baroque opera, Pigmalion. |
| 2009 | $60,000 | To support the creation and presentation of a new work by Artistic Director and choreographer Trisha Brown. Inspired by the baroque opera Hippolyte and Aricie, the work will premiere at the Brooklyn Academy of Music in s |
| 2009 | $60,000 | To support the reconstruction and touring of Opal Loop/Cloud Installation by choreographer Trisha Brown. First performed in a loft in SoHo, New York in 1980, the work is a collaboration with Japanese fog artist, Fujiko N |
| 2009 | $50,000 | To support the preservation of jobs that are threatened by declines in philanthropic and other support during the current economic downturn. |
| 2008 | $60,000 | To support the revival of Foray Foret by choreographer Trisha Brown, her last collaboration with visual artist Robert Rauschenberg. The revival will be presented at The Joyce Theater. |
| 2007 | $60,000 | To support the creation of a new work by choreographer Trisha Brown, in collaboration with Japanese artist, sculptor, and theorist Kenjiro Okazaki. The piece will premiere at Montclair State University in New Jersey. |
| 2006 | $70,000 | To support the reconstruction and presentation of works by artistic director Trisha Brown. Works to be revived include Accumulation, Canto/Pianto, and Groove and Countermove. |
| 2005 | $70,000 | To support the creation and presentation of a new work and the reconstruction of three seminal pieces from the company's repertory. These pieces will be part of the company's 35th anniversary celebration and will tour na |
| 2004 | $60,000 | To support the presentation of early works by Trisha Brown. There will be an art exhibit exploring Trisha Brown's work with visual artists. |
| 2003 | $60,000 | To support the creation of a new work. The work will premiere at the International Festival de la Danse in Cannes, Frances. |
| 2002 | $50,000 | To support the creation of two new works choreographed by Trisha Brown. A new piece will be created to Franz Schubert's song cycle "Winterreisse," and Trisha Brown will create a solo for herself that combines her work in |
| 2001 | $50,000 | To support the creation of two new works. Choreographer Trisha Brown will create a new staging of the opera "Luci Mie Traditrici" ("My Betraying Eyes"), and an abstract dance piece, both set to music by contemporary comp |
| 2000 | $70,000 | To support the creation of new works and the revival of a repertory classic. Choreographer Trisha Brown will collaborate with a composer on her second piece using jazz music to create one of the new works, and the reviva |
| 1999 | $70,000 | To support the creation of a new work by choreographer Trisha Brown. Trisha Brown will collaborate with collaborate with painter Terry Winters and jazz composer Dave Douglas to create the work. |
| 1998 | $90,000 | To support the creation and presentation of "Canto/Pianto" by choreographer Trisha Brown. Directed and choreographed by Artistic Director Trisha Brown, L'Orfeowill have its world premiere at le Theatre de la Monnaie in B |
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Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.